Thursday, February 28, 2013

Juan Clark, Cuba scholar and Bay of Pigs vet, dies

Dr. Juan Clark

jtamayo@ElNuevoHerald.com

Published in The Miami Herald
 
Juan Clark fought for a democratic Cuba as a paratrooper in the Bay of Pigs invasion and then in academia, by chronicling the lies of the Castro revolution and the stories of waves of exiles arriving on U.S shores.
 
Clark, professor emeritus of sociology at Miami Dade College, died Wednesday at the age of 74, said his brother, Jose Benito Clark, a member of the infiltration teams sent ahead to prepare the way for the Bay of Pigs invasion.
 
Just two years ago, Clark had smiled as he recalled how his group of Brigade 2506 fighters, hungry after hiding for four days in the swamps near the site of the disastrously failed CIA-backed invasion, had captured a small pig.
    
To avoid the noise of a gunshot, another brigade member strangled the animal while muttering, "Forgive me, God! Look what Fidel Castro has driven me to do!” Clark recalled in an interview for a report marking the 50th anniversary of the 1961 invasion.
 
“Juan was one of the most prominent members of the paratrooper units, very beloved by all and a very intelligent man,” said former brigade president Felix Rodriguez. “He was a great companion, a great friend and an eternal fighter for the freedom of Cuba.”
 
“This is a day of great sorrow for Miami Dade College,” said MDC President Eduardo Padrón. Clark “defended his principles, first with gun in hand and later with the power of the word and an unbreakable civic commitment.”
 
Clark’s greatest contribution to the struggle over Cuba may well have been his Spanish-language book, Cuba, mito y realidad: Testimonios de un pueblo, published in 1990. Through personal stories, he chronicled the myths and realities of life in Cuba.
 
While Fidel Castro cultivated the myth of a Robin Hood revolution dedicated to helping the poor in Cuba and abroad in the early 60s, Clark noted that the Cuban security apparatus was keeping about 60,000 peaceful political opponents in prison. Comparing the populations of Cuba and the United States at the time, that would have amounted to at least 1,410,000 American political prisoners, he wrote in the book.
 
Clark parachuted into Cuba several miles inland from the beach landings at the Bay of Pigs and was a member of a mortar crew that helped block the advance of Castro’s troops until they ran out of ammunition and were forced to retreat.
 
Eventually captured along with 1,173 other brigade members, he spent about 20 months in Havana prisons until Castro was paid the $53 million ransom that he demanded and freed most of the invaders.
 
Cubans on the island would never again pose a challenge to Castro, Clark told The Miami Herald for the 50th anniversary report.
 
“This castrated the spirit of rebellion”’ against Castro in Cuba, he said.
When he returned to the United States, he enrolled at the University of Florida to study sociology and later was the first academic to detail the waves of Cubans that went into exile in the United States and other countries.
 
He also wrote two books on the Catholic Church in Cuba, and last year was responsible for a chapter in a new book, Cubans: An Epic Journey, on the struggles to free Cuba.
 
“Juan was a great spokesman for the brigade. He was a well-educated man who could intelligently explain why the Bay of Pigs invasion happened, why it failed and why it mattered — and as a professor, he often explained it to the younger generation,” said Julio Gonzalez Rebull, a fellow brigade veteran.
 
And as recently as Monday, he told The Miami Herald he did not believe Cuban President Raúl Castro’s promise that he would leave power in five years.
 
“I think many people were eager to see the end of the system and unfortunately that hasn’t happened,” Clark said.
 
He is survived by his widow, Clara de Leon, and sons Juan and Jose Alberto Clark. Funeral arrangements are pending.
 
Miami Herald staff writer David Ovalle contributed to this report.

Read more here: http://www.miamiherald.com/2013/02/27/3257941/online-head.html#storylink=cpy

Carmen Montejo recibe último adiós en Bellas Artes

Associated Press

Publicado en El Nuevo Herald
 
Como las grandes, la actriz Carmen Montejo regresó por última vez al escenario en el que debutó en teatro antes de convertirse en uno de los rostros más representativos de la época de oro del cine mexicano. Montejo, quien murió el lunes a los 87 años, recibió un emotivo homenaje de cuerpo presente en el palacio de Bellas Artes, el máximo recinto cultural de la capital mexicana.
 
"Fue una de las figuras más queridas del cine, teatro y la televisión de México. Una artista que consagró su talento a favor de la imaginación y que contribuyó a dar identidad a nuestro país dotando de calidez la escena mexicana", dijo el martes María Cristina García Cepeda, directora general del Instituto Nacional de Bellas Artes de México.
 
García Cepeda recordó la trayectoria de la actriz de origen cubano, naturalizada mexicana, que destacó desde sus comienzos en la radio y que se extendió a la pantalla grande y la televisión.
   
"Sedujo a nuestras madres y abuelas en los años 40 con la radionovela, atrajo a los grandes públicos a las salas de cine y entro con una presencia cercana y familiar los hogares mexicanos a través de las telenovelas" agregó sobre la actriz cuyo nombre figura en más de 115 títulos de cine y televisión, pero quien siempre apoyó a noveles autores teatrales.
 
La actriz, cuyo verdadero nombre era María Teresa Sánchez González se presentó por vez primera en el mismo recinto en 1946, cuando participó en "La casa de Bernarda Alba".
 
Como si se tratara de una presentación más de Montejo, el vestíbulo del recinto lleno de arreglos florales, se volvió a inundar de aplausos cuando colegas, autoridades y público en general recibieron el féretro.
 
La primera actriz Silvia Pinal, con la que Montejo convivió en la época del cine de oro, encabezó entre lágrimas la primera de varias guardias de honor acompañada de Cepeda; la actriz Cristina Muñoz; María Montejo, la única hija de la actriz, y otros familiares de la estrella.
 
Las actrices Laura Zapata y Diana Bracho también participaron en las guardias, entre las que destacó la que montaron algunas integrantes de la Fundación Rosa Mexicano; concebida en los años 1970 por Montejo y la actriz Dolores del Río con la finalidad de cuidar a los hijos de sus colegas en el gremio actoral.
 
Integrantes de la fundación colocaron sobre el féretro una de las pañoletas del color rosa mexicano que caracteriza a sus integrantes y que por años portó Montejo.
 
Bracho que trabajó con la legendaria actriz en la popular telenovela "Cuna de Lobos" destacó la generosidad de Montejo.
 
"Algo que la preocupaba mucho en los últimos años de su vida era la protección de los niños, de los hijos de los actores y actrices. Era una gran preocupación y en algún momento me pidió que siguiera un poco esta labor a su lado", dijo Bracho a los medios a su salida del recinto, entre el tumulto de curiosos y aquellos que acudieron a darle el último adiós a Montejo.
 
Nacida en 1925 en Pinar del Río, Cuba, Montejo probó casi todos los géneros y escenarios posibles. Su prolífica carrera, que incluyó actuaciones en producciones estadounidenses e italianas, comenzó durante su adolescencia en la radio mexicana.
 
Participó en cintas consideradas clásicas como "Nosotros los pobres" y "¿Qué te ha dado esa mujer" en la que interpretó a Yolanda, la protegida de Pedro Infante.
 
Bracho no se retiró sin recordar el carácter aleccionador de Montejo. Relató que al actuar en 1986 en "Cuna de Lobos" cometió una "imprudencia de juventud" al menospreciar a sus admiradores.
 
"Dije algo así como: 'A mí los fans me tienen sin cuidado, a mí lo único que me importa es mi trabajo'. Se volteó, me regañó y me dijo: 'Nunca digas eso, los fans para mí son lo más importante, es la gente que nos apoya y nos ve'", dijo entre la multitud que gritaba "¡Carmen, México te ama!".
 
"Nunca se hizo publicidad, nunca se puso en primera fila, nunca quiso ser LA, siempre fue LA actriz'", señaló Bracho.
 
     

Read more here: http://www.elnuevoherald.com/2013/02/26/1417300/carmen-montejo-recibe-ultimo-adios.html#storylink=cpy

Tuesday, January 29, 2013

Fallece el pugilista cubano Florentino Fernández en Miami


 

 Florentino Fernández (derecha) ensaya su famoso gancho de izquierda en un entrenamiento con el legendario Muhammad Alí, en el famoso gimnasio Fifth Street de Miami Beach en 1960.
 
Florentino Fernández (derecha) ensaya su famoso gancho de izquierda en un entrenamiento con el legendario Muhammad Alí, en el famoso gimnasio Fifth Street de Miami Beach en 1960.
Photo by John Pineda / Photo by John Pineda/ MH Archive

mmartinez@elnuevo herald.com

El cubano Florentino Fernández, uno de los boxeadores con mayor pegada en la historia del boxeo profesional, murió el lunes en horas del mediodía de un ataque al corazón en la ciudad de Miami. Tenía 76 años de edad.
 
Nacido en Santiago de Cuba el 7 de marzo de 1936, Fernández debutó en el boxeo profesional en 1956 en el Palacio de Deportes de La Habana, venciendo por nocaut en tres asaltos a Pastor Burke.
Luego de 24 triunfos consecutivos y 18 de ellos por nocauts, Florentino viajó a Nueva York para enfrentarse el 19 de junio de 1959 en el Madison Square Garden a Stefan Redl, a quien fulminó en el séptimo asalto.
   
Su primera derrota la sufrió frente a Rocky Kalingo, el 23 de noviembre en Caracas, Venezuela. Pero el cubano se vengó de este revés y en la revancha derrotó a Kalingo un mes después en cartelera celebrada en la capital cubana.
 
“Fue un gran amigo de mi familia y una de sus peleas contra Juan Carlos “Rockie’’ Rivero fue organizada por mi padre’’, indicó el promotor de boxeo “Tuto’’ Zabala Jr. “Después de su retiro pasaba al menos dos veces por semana por la oficina de mi viejo y lo recuerdo como una persona sencilla. Lo admiré mucho’’.
 
Uno de sus memorables combates lo realizó ante el norteamericano Emile Griffith, con quien perdió el 25 de agosto de 1960 por decisión unánime en 10 asaltos, en el Garden de Nueva York.
 
El cubano se repuso del revés ante Griffith noqueando con su temible gancho de izquierda a sus tres próximos oponentes para ganarse el derecho a discutir la faja de los medianos de la Asociación Nacional de Boxeo frente al campeón estadounidense Gene Fullmer.
 
Fernández, conocido como “El Toro’’, perdió con Fullmer un controversial pleito por decisión dividida en Ogden, Utah, el 5 de agosto de 1961. El juez Del Markham le dio el veredicto al cubano 145-143,mientras que el árbitro Ken Shulsen y el juez Norman Jorgensen anotaron la pelea a favor del norteamericano 145-142 y 148-140.
 
Para muchos expertos de la época, Florentino mereció ser campeón mundial en este combate. Pero los jueces no lo favorecieron, impidiendo que el cubano alcanzara la corona mediana. El santiaguero pidió la revancha, pero no recibió la oportunidad.
 
“Con Florentino se va uno de los últimos exponentes de una generación dorada de púgiles cubanos que brillaron en las décadas del cincuenta y sesenta”, dijo el historiador de boxeo Enrique Encinosa.
“No pudo lograr el título del mundo, pero peleó contra los mejores peleadores de su época y en una ocasión contra Gene Fullmer le robaron la corona mundial. Florentino fue un campeón como ser humano’’.
 
Cuando Cuba prohibió el boxeo profesional, Fernández se trasladó a Estados Unidos para residir en Miami Beach, Florida, donde se convirtió en un favorito de los fanáticos en la televisión por su valor dentro del cuadrilátero y por su potente pegada.
 
Fernández, también conocido como “Floro’’, perdió frente a otros dos rivales de calidad como fueron los campeones Dick Tiger y Rubin Carter. También se llevó una importante victoria el 25 de mayo de 1963 en el Estadio Hiram Bithorn, en San Juan, Puerto Rico, frente al ídolo local José Torres.
 
De igual forma, superó por nocaut al monarca mediano Jimmy Williams.
 
“De haber peleado en esta época hubiera sido campeón mundial’’, señaló el entrenador cubano Roberto Quesada.
 
“Pocos pugilistas han tenido la pegada de Florentino. La última vez que lo ví fue hace un mes y me duele mucho su muerte’’.
 
Cuando parecía que Fernández estaba al borde de otra oportunidad por el título de peso semipesado contra el campeón Bob Foster, el antillano fue detenido en el décimo asalto por Vernon McIntosh, el 18 de julio de 1972. Este fue su último combate.
 
La revista Ring Magazine lo ubicó en el 2003 entre los 100 boxeadores con mayor pegada en la historia del boxeo. Su récord global fue de 50 victorias (43 por KO), 16 derrotas y dos empates. Pero algunos de sus reveses fueron por decisiones controversiales y otros llegaron en la etapa final de su carrera.
 
Luego de su retiro, el santiaguero estuvo de entrenador de boxeadores aficionados en el Gimnasio Elizabeth Virrick, en Coconut Grove, Florida.
 
Los servicios fúnebres de Florentino Fernández se darán a conocer en la próxima edición de este diario.

Armando Roblán, Cuban actor who impersonated Castro, dies at 81

smoreno@ElNuevoHerald.com

Cuban actor Armando Roblán died of lymphoma early Wednesday in his home in Coral Gables. He was 81.

Known for his extensive work in theater, radio and television in Cuba and in Miami, Roblán was best known for his extraordinary impersonation of Fidel Castro. One of his successes was to keep the comedy En los 90 Fidel revienta (“In the 90s, Fidel Will Explode”) running at a local theater for more than a decade.
 
Roblán began to impersonate Castro in Cuba after he came to power in 1959. He even did his impersonation of Castro at a world convention of the American Society of Travel Agents held in Havana — apparently without Castro’s permission.
    
He was often mistaken for the Castro in his tours throughout Cuba and people who saw him would present him with petitions.
 
Later, the Cuban government made political demands from him that he could not meet and he decided to leave Cuba.
 
In Miami, the actor began to play the role of Castro in several plays while creating other characters such as Ñañito, El Indio and El Chino, among other performances that he made popular on Univision’s Sábado Gigante.

“He kept telling jokes until the end, saying that you had to take life with a sense of humor,” said his daughter Priscilla Marrero, after revealing that a week ago, shortly before falling into a coma, the actor wrote the word “Adiós” in a self-portrait caricature he drew.
 
Armando Roblán was born on Feb. 4, 1931, in the town of Bejucal, in the center of Havana province. His real name was Francisco Armando Rodríguez Blanco, and he combined his work as an actor with his art as a painter trained in the San Alejandro Academy.
 
Roblán’s daughter added that in his daily life her father was a homebody. His interests including the changes of nature and she said that during her childhood he would tell both her and her younger brother that they could never be bored.
 
“He would share with us anecdotes of the town of Bejucal, and of the times he was commissioned to paint posters at the early age of 8,” she said. “He would also talk to us about the times he was sent to events impersonating Fidel Castro.”
 
Roblán started his career in the early days of Cuban television drawing cartoons and performing impersonations in an amateur program presented by the TV tycoon Gaspar Pumarejo.

He also perfected the impersonations of other figures and characters in the world of show business such as Maurice Chevalier, Nat King Cole, Bola de Nieve, Liberace and Cuban poetry performer Luis Carbonell, among others. Roblán also worked on television in Panama and Puerto Rico.
 
In Miami he produced, acted and wrote numerous Cuban vernacular plays at the Martí Theater and Trail Theater on Calle Ocho.
 
As a television actor writer Delia Fiallo trusted him with the role of Calvo in the telenovela Morelia (1995) filmed in Miami and one of the top Univision hits.
 
In 1963, Roblán was part of the cast of La esquina del infierno (“The Corner of Hell”), considered the first Panamanian telenovela.

In films he left his imprint in the movies Freedom Flight (2005), in which he played Fidel Castro, as he also did in The Disciples (2000), Havana Connection (1994) and The Chamaleon: An Assassination Attempt on Castro (1992). He was also in the comedy A mí qué me importa que explote Miami (“What Do I Care If Miami Blows Up”), in which he acted with Cuban comedian Guillermo Alvarez Guedes, and also in the Mexican film El tesoro de Morgan (“Morgan’s Treasure”) (1971).
Off the stage he stood out as a caricaturist, something he did without the knowledge of the person he was sketching and which prompted his presence in various editions of the event Cuba Nostalgia.
 
Marrero said that she never heard her father badmouth anybody and that he was very generous with his time and talent. Regarding a possible return to Cuba, she said though her father was very Cuban and celebrated Cuba from here, he was always quite aware that returning to his country would be very difficult.
 
Besides Marrero, Roblán is survived by his wife Gloria Lau Rodríguez, children Orlando Rodríguez and Armando Rodríguez and five grandchildren.
 
A service is scheduled for 11 a.m. Saturday at Epiphany Catholic Church, 8235 SW 57th Ave. The family asked that instead of sending flowers, friends make donations in Roblán’s name to St. Jude Children’s Hospital.

Read more here: http://www.miamiherald.com/2013/01/09/3175237/armando-roblan-cuban-actor-who.html#storylink=cpy

Thursday, November 1, 2012

OLGA CONNOR: Premio de Herencia Cultural Cubana a Ileana Ros-Lehtinen

Publicado en El Nuevo Herald, jueves, 1 de noviembre de 2012.


 
El Premio Libertad de la Cuban Cultural Heritage, o Herencia Cultural Cubana, le fue entregado este año a Ileana Ros-Lehtinen en el Country Club de Coral Gables, como un símbolo del papel que ha desempeñado la congresista en Washington, defendiendo las libertades en Cuba y en todos los países como presidenta del Comité de Relaciones Exteriores de la Cámara.
 
“Es el más alto honor que se le confiere a un individuo o institución que ejemplifique el compromiso con la libertad o por tener un excelente liderazgo cívico, en los negocios o en la vida religiosa”, citó el presidente de la junta de directores de la organización y coleccionista de cartografía cubana, el doctor en medicina Alberto Bustamante.
 
Se encontraba en el acto la mayor parte de la directiva, entre ellos, Luis Mejer Sarrá, presidente de Herencia, Marcos Antonio Ramos, vicepresidente, y Tony Otero, “Chair” de la gala Noche Azul, que fue una bellísima cena bailable, amenizada por el septeto de Norberto y Maricela. La portada de la invitación ostentaba el cuadro de Humberto Calzada: Si tantos sueños fueron mentira.
 
 
 
Este es el segundo año que se presenta este premio, el del 2011 le fue concedido a Horacio Aguirre, director del Diario Las Américas, por su contribución a la libertad de prensa y en pro de la libertad en el mundo entero.
 
En 1998 había instituido otro premio, el de “Herencia”, que se creó especialmente para Luis Aguilar León, “quien había sido con sus artículos faro y guía en el exilio”, dijo Bustamante. El último se le entregó hace unos meses al historiador Enrique Ros, padre de Ileana, que la acompañó a la gala.
Bustamante habló del dilema político en que se encontraban cuando decidieron instituir Herencia en 1994. “No se podía hablar de política en la organización ni en la revista Herencia, pero una verdadera cultura no existe sin libertades”, afirmó. “Una organización apolítica en Cuba es muy difícil de mantener, porque todo lo de Cuba es político”.
 
 
 
“Herencia es una organización dedicada a educar, preservar y fomentar los valores culturales e históricos de la nación cubana para las generaciones presentes y futuras”, insiste Bustamante. “Comenzó para proteger el patrimonio cubano y hacerles atractivo a las nuevas generaciones el enfoque positivo de la belleza de nuestra isla, su historia heroica en la lucha por la libertad, y los grandes avances económicos, empresariales y arquitectónicos, literatura, música y arte en general logrados en la República de Cuba”.
 
“Cada vez que se dice que no se puede hablar de política, yo he saltado para decir que si Herencia tiene que renunciar a la lucha por la libertad de Cuba pierde la esencia y base por la cual fue creada, ése es mi enfoque personal”, afirmó Bustamante. Por otra parte, como lo cultural es lo esencial de Herencia, él testimonia que han experimentado que este tema es el que más une al exilio y al pueblo dentro de Cuba.
 
“Tenemos todo tipo de contactos dentro de Cuba, que admiran nuestra obra, sobre todo, el grupo de preservación que es el más sólido en infraestructura dentro de Cuba después del ejército y la iglesia”, declaró Bustamante. “Varios de los jefes de provincias se me han aparecido en mi casa, traídos por amigos mutuos y hemos coincidido en todo los temas de conversación”.


Read more here: http://www.elnuevoherald.com/2012/10/30/1332808/olga-connor-premio-de-herencia.html#storylink=cpy

Monday, October 22, 2012

Royal Wedding in Luxembourg

Prince Guillaume and Princess Stephanie of Luxembourg.
 Published by The Associated Press.

Under a canopy of soldiers' drawn swords as church bells tolled, Prince Guillaume of Luxembourg and Belgian Countess Stephanie de Lannoy emerged smiling Saturday from the tiny duchy's Notre Dame Cathedral after wrapping up a two-day wedding gala with a religious ceremony.

Onlookers and well-wishers lined the super-scrubbed streets near the cathedral and roared with joy as the newlyweds looked down from a red velvet-covered palace balcony, and haltingly — but deeply — kissed for the crowd.

The church wedding of Prince Guillaume — the 30-year-old heir to the throne and Luxembourg's grand duke-to-be — and the Belgian countess drew a top-drawer guest list. It came a day after a civil ceremony at Luxembourg City Hall.

The bearded groom and his 28-year-old blonde bride were trailed by a procession of well-known royals, including Queen Beatrix of the Netherlands, Princess Victoria and Prince Daniel of Sweden, Prince Naruhito of Japan and Britain's Prince Edward — Queen Elizabeth's youngest child — and his wife, Sophie.

The Royal Family waves to the crowds.
* Note: Prince Guillaume is the son of Grand Duke Henri I and Grand Duchess María Teresa. The Grand Duchess was born in Marianao, Havana and was exiled along with her family following Castro's rise to power. She studied at the University of Geneva, where she met then-prince Henri. Upon ascending the throne, Prince Guillaume will become the first reigning monarch with Cuban roots in history.

Wednesday, October 17, 2012

In memoriam: María Rosa Menocal

María Rosa Menocal
Published in Yale News

María Rosa Menocal, a renowned scholar and historian of medieval culture and literature, passed away on Oct. 15 after a three-year battle with melanoma.

Menocal, Sterling Professor of the Humanities at Yale and former director of the Whitney Humanities Center, focused her research on the literary traditions of the Middle Ages and on the interaction of various religious and cultural groups in medieval Spain.

Her 2002 book, “The Ornament of the World: How Muslims, Jews and Christians Created a Culture of Tolerance in Medieval Spain,” describes the rich cross-fertilization that took place among those religious groups. The book placed the interactions of Jews, Christians and Muslims at the heart of the formation of a diverse and vibrant Western culture, and posed a vigorous challenge to the notion of inevitable polarization of Islam and the West in the popular imagination. It has been published in numerous languages, and received wide critical acclaim. A documentary for public television based on the book is under development.

Menocal once noted that she was inspired to write the book because "... the medieval period has been, and continues to be, so grossly misrepresented in almost all of our histories — from the fact that we have so little knowledge that medieval European culture included, centrally, the study of Greek philosophy as it was interpreted by hundreds of years of Muslim and Jewish commentaries to the fact that we still use the word medieval to mean 'dark' and 'unenlightened' when, in some respects, Europe has never been as enlightened … as it was then." Read the paper, a precursor to "The Ornament of the World," that Menocal presented at a Yale Law School seminar in 2000.

Among her other books is “Shards of Love: Exile and the Origins of the Lyric,” which finds in the idea of exile the origin of the lyric and the foundation of the genre of the love song. This acclaimed work embraces authors from Ibn ‘Arabi to Judah Halevi, from Dante to Eric Clapton. Her other books include “Writing in Dante's Cult of Truth: From Borges to Boccaccio,” and “The Arabic Role in Medieval Literary History: A Forgotten Heritage.” She is the co-editor (with Raymond Scheindlin and Michael Sells) of “The Cambridge History of Arabic Literature: Al-Andalus,” a volume that places the Arabic literature of Islamic Spain in the context of the other languages and cultures of the Iberian peninsula. Her latest book, “The Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture,” extends these themes through a rich investigation of cross-cultural interactions in language, literature, architecture, and the decorative arts. This work, undertaken in collaboration with art historian Jerrilynn Dodds and Arabist and historian Abigail Krasner Balbale, was named a “Best Book of 2009” by the Times Literary Supplement.

As director of the Whitney Humanities Center from 2001 to 2012, Menocal dramatically expanded the number and intellectual range of fellows at the center, with the goal of representing as many different fields as possible to stimulate dialogue, foster intellectual community, and encourage collaboration in teaching and research. All told, she appointed 285 fellows during her 10-year tenure. These included individuals from the fields of economics, physics, chemistry, medicine, management, architecture, law, and library sciences, as well as all the humanities disciplines. She created new categories of fellowships, such as the Beinecke-Whitney Fellows, the Whitney-British Art Center Fellows, Writers-in-Residence, Mellon Postdoctoral Fellows in the Humanities, and Administrative Fellows. She also brought notable individuals from outside the University to serve as visiting fellows at the center.

Among the new programs Menocal introduced at the center are Films at the Whitney (Friday night screenings in 35mm format), a series of readings by major poets, and the Franke Lectures in the Humanities, which bring distinguished scholars and writers to campus for public talks and classroom seminars with students.

Concerning her work at the center, Menocal once said: “By providing a forum for Yale scholars, visiting fellows, and guest lecturers, and programs to enrich the cross-disciplinary education of Yale students, the Whitney not only maintains the humanities as a cornerstone of undergraduate education, it also becomes the University's center for conversations across the arts and sciences.”
Prior to her years as director of the Whitney, Menocal served as director of graduate studies and chair of the Department of Spanish and Portuguese, and served on numerous university committees.
“María Rosa Menocal was among the most brilliant, creative, and original of Yale’s extraordinary scholars in the humanities,” said Yale President Richard C. Levin. “She was a humanist in the broadest sense of the term. She was passionate about all forms of human expression from literature, the visual arts, and politics to cooking, professional hockey, and the music of troubadours from medieval Provence and al-Andalus to Bob Dylan. Her passions inspired and energized her students and colleagues, and shaped a vibrant community at the Whitney Humanities Center.”

A native of Havana, Cuba, Menocal earned a B.A. in medieval Romance languages, an M.A. in French and a Ph.D. in Romance philology, all at the University of Pennsylvania. She became an assistant professor of Romance languages there in 1980, and also served as acting director of its Center for Italian Studies. She came to Yale in 1986 as a visiting associate professor in the Department of Spanish and Portuguese, was named an associate professor the following year and was appointed a full professor in 1992. In 1993, she was named the R. Selden Rose Professor of Spanish and Portuguese, and in 2005 she became a Sterling Professor, the highest honor that Yale confers on members of its faculty.

An invited lecturer at universities and conferences throughout the nation and in Europe and the Middle East, Menocal was a visiting professor at Bryn Mawr College and held distinguished visiting professorships or lectureships at the University of California, Santa Cruz, the Institut du Monde Arabe in Paris, and the American University in Cairo, among others. The Medieval Academy of America named her a fellow in 2011.

Menocal is survived by her parents, Enrique and Rosa Menocal; her siblings, Lucia Pernot, Enrique Javier Menocal, and Elisa Menocal; her husband R. Crosby Kemper III ’74, director of the Kansas City Public Library; her ex-husband George Calhoun; her two children, George “Harry” Calhoun, a first lieutenant in the U.S. Army, and Margaux Calhoun ’12, who is currently employed at the U.S. Department of Justice; and one grandchild, George Bishara Calhoun, the son of Lt. Calhoun and his wife, Maya Calhoun.

Yale community members share their remembrances of María Rosa Menocal.